review published on April 8, 2012. Reviewed by Kirsty Hewitt
From reading her work, however, it is clear to see why she is declared a master of modernist fiction, and why New Zealand hail her as ‘a qualified national icon’.
Known almost solely for her wonderfully varied short story collections, Mansfield’s style, storylines and subject matter are always carefully chosen and compulsively readable. Her stories are often sarcastic and satirical, but some are hopeful and bright, thus creating an incredibly well-balanced oeuvre.
Over her writing career, Mansfield published four short story collections, beginning with the publication of In a German Pension in 1911 when she was just twenty-one years old. A further fifteen stories, collected together in The Dove’s Nest and Other Stories, were published after her untimely death from tuberculosis in 1923.
Something Childish and Other Stories encompasses the nine-year period between the publication of her first and second collections, and features several of her earlier efforts. It includes twenty-five separate stories, all of which feature a medley of diverse characters. It seems to be one of the least well-known of her short story collections, despite the fact that the power the stories have is just as strong as in her later writing.
Mansfield successfully evokes a complex tapestry of human emotions throughout Something Childish and Other Stories. This is particularly vivid in the title story, ‘Something Childish’, which follows a young man named Henry as he meets a “simply beautiful” red-haired girl named Edna on an otherwise monotonous train journey out of London. A wealth of emotions are peppered throughout the story – timidity, wonder, comprehension, misunderstandings and utter adoration. Throughout this particular story, the reader simultaneously feels hope and sympathy for Henry, as there is a sense of continuous foreboding that a poignantly depressing ending is just around the corner.
‘The Tiredness of Rosabel’, Mansfield’s first published story, creates an evocative picture of London as viewed by a young girl working in a milliners. Along with a past-tense narrative which conjures up Rosabel’s seemingly mundane job and the echoes of poverty apparent in her lodgings, there is an interwoven sense of perpetual daydream which gives the story an almost magical feel. In ‘A Suburban Fairy Tale’, the reader is presented with the adorable character of an inquisitive child named ‘Little B’, constantly asking questions of his parents who more often than not ignore him. A sense of fantasy and magical realism has been employed in this particular story, as the ending sees Little B turned into a sparrow, joining the birds which he is so enthralled with watching on the lawn.
Even in these earlier stories which Mansfield herself was never content with, the writing style seems incredibly polished and there are elements within each that truly surprise the reader in terms of their clarity. Tiny moments in the day-to-day existence of so many characters are portrayed as being paramount in defining their lives – from a small girl intent on pleasing her Father who is rewarded with a rap across the knuckles when the construction of his birthday gift goes horribly wrong in ‘The Little Girl’, to ‘Pénsion Seguin’ which deals with a woman intent on finding a room to let who is suddenly catapulted into frantic family life.
Many different settings have been used throughout, from the bustling city of London to colonial New Zealand life which is starkly portrayed in ‘Millie’ and ‘The Woman at the Store’. Whilst many other short story writers may have one or two stories within a published collection which do not seem to fit with the themes of those which precede them, the balance of Something Childish and Other Stories is near perfection.
The way in which Mansfield carefully selects the words she uses ensures that her writing is always striking. As well as mastering the elements of the short story and creating a wonderful wealth of work which can be dipped in and out of or read continuously whilst still holding the reader’s full attention, Mansfield is also a master of the narrative voice, using both first and third person perspectives. This collection includes two short plays which show how polished Mansfield is at creating believable dialogue. Slight dialects are suggested throughout – the country boy and girl in ‘See-Saw’, for example – which build up an even more three-dimensional picture of the characters which are infused within the stories themselves. This adds yet another dimension to Mansfield’s prose.
Mansfield’s work is heartrending, poignant and simply beautiful. Some of the exquisiteness of her writing comes from the way in which she presents ordinary beings in everyday situations, thus making her stories incredibly easy to relate to. Her stories can be read multiple times over the span of a lifetime and a wealth of different elements are guaranteed to be picked up by the reader on each separate occasion. The stories grow with us, and encompass the main elements of life – from birth to childhood, from courting to marriage, from naïvety and innocence to a heightened sense of experience.
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